- A
- B
- C
- D
- E
- F
- G
- H
- Haines, Edward
- Hallam, John
- Hamlet, William, the Elder
- Hamlet, William, the Younger
- Hancock, Robert
- Hanks
- Harding
- Hargraves
- Harraden, Richard Bankes
- Harrington, Sarah, Mrs
- Harris, John
- Hart, E.
- Hervé, Alfred, Count de la Monniere
- Hervé, Charles II
- Hervé, Henry I
- Hervé, Henry II
- Hill's Gallery
- Hill, I. or J.
- Hills
- Hine, H. J. C.
- Holden, H. W.
- Holland, William Langford
- Holmes, James, the Elder
- Horsefall, Marius
- Houghton and Bruce
- Houghton, Samuel
- Howie, James
- Howie, James G.
- Hubard Gallery
- Hubard, William James
- Hudson, C. H.
- Hudson, Elizabeth, Mrs
- Hunter, Thomas
- Hutchinson, J.
- J
- K
- L
- M
- N
- O
- P
- R
- S
- T
- V
- W
Hill's Gallery
Gender:
N/A
Date and place of birth:
N/A
Date and place of death:
N/A
Worked:
(fl) c 1830s
Known places of work:
Canterbury
Known techniques:
Cut paper
Known materials:
Paper black
Frames:
Unknown
Signature:
Recorded
Introduction:
Hill’s Gallery is known today through the existence of three profiles, on which the signature is recorded. They are very similar in style being cut from black paper, and embellished in gold. On the bust-length profile, the termination is a long sloping line. Jackson’s Dictionary recorded an artist called Hill, but it is possible this was in fact Hills Gallery.
Additional research about Hill's Gallery:
Source: McKechnie (Author of, British Silhouette Artists and their Work 1760-1860)
Hill's Gallery (McKechnie Section 1)