See Section Three for main entry
Included in this section because, on his trade label, Holland offers work painted 'with a composition in Watercolour much superiour to any other yet attempted in Oil Colour on glass & in Watercolour on plaister of Paris'. No examples are known to me; should any be discovered, points of identification, typical of Holland's work on glass, are the double-loop concavity of the bust-line termination, the square shape given to frills (particularly on profiles of men), and the rather untidy rendering of hair.