Wilton

Introduction:

Though London-born, EDWARD WILLTON (1786-1840) spent almost his entire working life trading from premises opposite Portsmouth's Royal Dockyard. A Carver, Gilder, Stationer, Tea, Insurance and Lottery agent, he was also a profile painter of moderate merit. However, though well placed to attract potential custom, few profiles by him are recorded.

Apprenticed in London to a 'Painter and Stainer' in June 1801, Willton possibly acquired the art of profile taking during his term of servitude. Marrying in the Capital 5 years later, at some point before 1809, for reasons unknown, he relocated to Portsea, Hampshire as a Carver and Gilder. Interestingly the Yale University Art Gallery houses a mirror, presumably signed by Willton - its pinewood frame, doubtless influenced by Portsea's maritime heritage, being decorated with carved drapery, dolphins and anchors. Quite how many Willton profiles decorated clients' abodes is impossible to gauge. Likely there were considerably more than the low number of extant works suggests.

Though no description was proffered, his earliest known profile, formerly in the Wellesley Collection, was dated 1809, and bore a studio address in Portsea's Queen Street. A second trade-labelled work ca.1820 from the same studio, is illustrated by McKechnie. The plain black female sitter is competently painted, though detailing is sketchily applied. Two bronzed works, presumed to be husband and wife, are also recorded. Dated August 1820, both are heavily gilded; however the highlighting of the woman's attire is rendered with skill.

As far as known, Willton never advertised in newsprint.

To be continued

Gallery Silhouettes